Please join us for the final venue closing ceremony for Kermadec : Lines in the Ocean
There will be a panel discussion featuring: Marama Fox MP, Dame Robin White, Gregory O’Brien, Pātaka Director Reuben Friend, Elizabeth Thomson, and Jason O’Hara
Moderated by Shelley Campbell of the Sir Peter Blake Trust.
Aratoi, Wairarapa Museum of Art and History
See what I can see: Discovering New Zealand Photography
Sargent Gallery, Whanganui. 18 June – 11 September
My Kermedec work Seachange (approaching Raoul) is part of a new exhibition alongside work from some of New Zealand’s leading photographers including Robin White, Bruce Foster and fellow Massey-ites, Anne Noble and Wayne Barrar.
This exhibition is a celebration of that remarkable, well-travelled invention, the camera, the New Zealand that it captured and the artists who wielded it. This exhibition is a companion to the 2015 book See what I can see: New Zealand Photography for the young and curious written by Gregory O’Brien and published by Auckland University Press. The exhibition, co-curated by O’Brien and Sarjeant Gallery curator Greg Donson brings together a selection of images from the book alongside examples from the Sarjeant Gallery’s rich photographic holdings.
The Kermadec: Lines in the Ocean exhibition continues it’s tour of New Zealand.
It is currently on at Ashburton Art Gallery.
327 West street. Ashburton
21 MAY – 25 JUNE 2016
Open Daily: 10am – 4pm
Wednesday: 10am – 7pm
ARTIST TALKS | BRUCE FOSTER, ELIZABETH THOMSON AND GREGORY O’BRIEN
JUNE 22, 11:00AM
Come along to the Gallery for a talk by artists Bruce Foster, Gregory O’Brien and Elizabeth Thomson they will share with you their experiences on Raoul Island and what they encountered on their week long voyage to one of the last great ocean wilderness areas on the planet. They will give you insight into how this experience is reflected in the art they made in response to this trip. The artists will be joined by Bronwen Golder, Director of the Pew Charitable Trusts Global Ocean Legacy.
This talk is free of charge and all are welcome to attend. Following the talk a light lunch will be provided and you will also have the opportunity to talk informally with the artists.
Read more about the Kermadec Project
“Crossing Series #1” 2011
Limited edition Triptych of Lambda digital master photographic prints on Kodak Archival Paper. 700 x 465mm each. $2500 nzd framed for the set of three.
Update! Subsequent to this post I have sold one set. There is now only one left (currently on exhibition with the touring Kermadec show but I’m happy to sell it and release when the tour is complete)
There are only two sets of this limited edition triptych left. Shot from the deck of the HMNZS Otago after leaving Raoul. By then travel on the ship felt very much like home. The long exposure captured the endless passing of the water but by now this was (or at least seemed) like a smooth rocking, as if slipping over silk.
The Company of Giants theatre group are now playing their amazing show“Rangitahua, The stopping off place” at the Kermadec exhibition in Wellington. Weaving their way around the artworks and audience, they tell the wild story of the Kermadec Islands.
The show plays at 2pm and 7pm until Tuesday at the Academy Galleries, Queens Wharf, Wellington. Book at iticket.co.nz.
In celebration of the government’s announced intention to create the Kermadec Marine Sanctuary (only the 4th biggest in the world!) the Kermadec artists have put together a ‘final’ exhibition here in Wellington.
Hosted by Pataka, the show is on at the Academy Gallery on Queens Wharf from today
All the original artists (Phil Dadson, Bruce Foster, Fiona Hall, Gregory O’Brien, John Pule, John Reynolds. Elizabeth Thomson, Robin White and me of course) are represented, most with new works. I have new photographic works and a video instillation.
I would also highly recommend coming to one of the shows put on the the theatre group Company of Giants, who will be performing Rangitahua from the 15th until the 19th (2pm and 7pm). Book at iticket.co.nz. It is a great show that weaves it’s way among the audience and exhibition telling the story of the Kermadecs.