A very brief overview of the Where Memories Sleep Project including behind the scenes footage of production.
Where Memories Sleep is an immersive cinedance performance that is designed to introduce new audiences to Antarctica and the science undertaken there.
The installation, inspired by Jason’s trips to Scott Base in 2016 and 2018, combines live and pre-recorded dancers projected on to a bespoke glacier set and the fulldome at Wellington’s SpacePlace.
The project is a collaboration between Jason O’Hara (creative director, motionographer, documentary maker and scenographer) and Warren Maxwell (musician), and is supported by a team of professional dancers.
A three-for-one deal this Friday… just because I love the progression between the these shots.
NIWA diver Rod Budd trudges through a building wind to the field kitchen as he brings in gear from our field camp on the sea ice at Cape Evans, Antarctica. It would have been about -25°c but with wind chill easily more like -35°c.
Shots of the historic huts in Antarctica – mostly from Scott’s hut and Cape Evans with a few from Shackleton’s Cape Royds thrown in. This is a working edit so will change over time.
Scott’s hut is the iconic base associated with Captain Robert Falcon Scott’s British Antarctic (Terra Nova) Expedition 1910–1913 and his second, and final, famed attempt for the Geographic South Pole.
I wanted to capture the feeling of visiting the hut rather than concentrating on accurately documenting the site and artefacts, after all, many very good photographers have done this already (including the outstanding work of Jane Ussher in her book Still Life: Inside the Antarctic huts of Scott and Shackleton). I found it quite liberating to know I could take a totally different approach. See her video from TEDx at the bottom of this page.
When we entered the hut it was very dark with snow covering many of the windows. We had to wear head-torches which created an eerie pool of light in the inky dark, revealing a small bit at a time. To try and get the feeling of the experience I shot with combinations of head-torch and snooted flash lighting and using my homemade lens on a modern Nikon DSLR. The lens is made with the element from a 100 year old Kodak pocket camera very similar to that used by the photographer from Shackleton’s expeditions, Frank Hurley.
This video of Jane Ussher speaking for the recent TEDx Scott Base gives a fantastic heartfelt context to the place, her work and then how my photos contrast to her work.
A diptych of images showing a detail of snow piled high on the windows of Scott’s historic hut at Cape Evans. When we visited in October the interior of the Hutt was very dark because the sun was still low and this snow on the windowed blocked it’s light. This created a very moody experience as we explored by the light of headlamps.
Today I thought I would mark the departure of the TEDx peeps from Scott Base with a triptych of photos taken there. As we walked around the base in 18°c comfort, every window we past gave a different framed view of the Antarctic environment beyond. This made me think how much we depended on the insulated protection the base provided us, and from there I expended my thoughts to a wider relationship with nature which formed the basis of my “thin green line” conceptual framework.
But then, academic constructs aside … it just looked bloody cool.