As this photo of Warren on the sea ice at Cape Evans illustrates, Antarctica can feel unlike anywhere else on the planet at times. When I saw him in all his survival gear casting this massive shadow in the midnight sun I instantly thought of the photos of the astronauts on the moon (thanks NASA for making them public btw). Two harsh environments where man goes to extraordinary lengths to survive – it was about -20˚c when I took this.
The dark “landmass” on the right is in fact an iceberg trapped in the frozen sea-ice.
After a really productive initial discussion with @AntarcticaNZ my research has moved into a new phase – I’m now focussing on the depiction of ‘heroes’ and ‘explorers’ through portraiture in historic and contemporary contexts.
This reflects a fledgling strategic approach to repositioning the public perception of science by depicting the Antarctic Scientists as “Science Explorers” – modern approachable heroes striving to understand climate change to help deal with it.
This might be the beginning of “the new heroic age” of Antarctica?
Jonathan Harris is an artist and computer scientist from Vermont.
I find his work very interesting but he regularly falls into the trap of the interface overpowering the content – something I specifically want to avoid. An example is the whale hunt interactive which is extremely clever but I prefer the highlights page from the same interactive
His work is in the permanent collection of The Museum of Modern Art, and has been exhibited at Le Centre Pompidou (Paris), the CAFA Art Museum (Beijing), the Barbican Center (London), the Victora and Albert Museum (London), and The Pace Gallery (New York). He studied computer science at Princeton University and spent a year in Italy at Fabrica. The winner of three Webby Awards, Print Magazine named him a “New Visual Artist,” and the World Economic Forum named him a “Young Global Leader.” His TED talks have been viewed millions of times.
I had the great privilege of being commissioned by one legendary New Zealand band Trinity Roots to shoot some new promotional material for them. Inspired by the bands’ focus on whakapapa and relationship with the land, I came up with the concept of them standing in the swirling waters of Cook Strait (near Breaker Bay) to represent their oneness with people and place.
I thank them for their patience as I made them stay in the freezing waters for half an hour as we waited for the light to light to be perfect. Exposures were long and combined with remote flash units setup on an old tripod in the sea.
Below are a few ‘behind the scenes’ shots taken by my son and young assistant Morgan (who weeks earlier had modelled for test shots) and one of the ‘straighter’ press shots we took in the Breaker Bay Hall.
Once again my ever patient son Morgan was coerced into being a model for a lighting test for a shot I have coming up in a few weeks. This time he stood knee deep in the chilly waters of Cook Strait while the sun set behind the Kaikouras. A slow shutter speed blurred the water and a Nikon Speedlight with a homemade snoot lit his face. The flash is sitting on an old modified tripod (heavily weighted down) and is triggered remotely via infrared.