A very brief overview of the Where Memories Sleep Project including behind the scenes footage of production.
Where Memories Sleep is an immersive cinedance performance that is designed to introduce new audiences to Antarctica and the science undertaken there.
The installation, inspired by Jason’s trips to Scott Base in 2016 and 2018, combines live and pre-recorded dancers projected on to a bespoke glacier set and the fulldome at Wellington’s SpacePlace.
The project is a collaboration between Jason O’Hara (creative director, motionographer, documentary maker and scenographer) and Warren Maxwell (musician), and is supported by a team of professional dancers.
After a really productive initial discussion with @AntarcticaNZ my research has moved into a new phase – I’m now focussing on the depiction of ‘heroes’ and ‘explorers’ through portraiture in historic and contemporary contexts.
This reflects a fledgling strategic approach to repositioning the public perception of science by depicting the Antarctic Scientists as “Science Explorers” – modern approachable heroes striving to understand climate change to help deal with it.
This might be the beginning of “the new heroic age” of Antarctica?
Warren (Maxwell) and I had a most excellent meeting with Jeanine Foster from Antarctica New Zealand today. We talked through some of the logistics, looked at some of her killer photos and generally got excited! She generously added to the pile of Antarctica reading material in the corner of the studio too. Ta Jeanine.
Planning has definitely moved on this week – a content and communications strategy is forming nicely. There is even the start of a few journey maps (NB: #CoCA358 students) floating around.
AntarcticaNZ are currently doing some primary research around perceptions of Antarctica and science which is going to be invaluable.
Warren and I are buzzing! Cross discipline creative collaboration is proving exciting so far.
Exploring and celebrating 60 years of Scott Base, this project aims to connect new audiences with Antarctica by allowing them to experience the life and work at Scott Base through the eyes of the scientists, explorers and personnel that have been there. Details of the project outputs will evolve over the course of the project but are likely to involve multi-channel immersive video instillation, photography and other online videos.
The working title of the project is “Antarctica: 60 shades of white”. Watch for the hash tag #60shadesofwhite on my Twitter feed
This project will be the subject for my MDes project at Massey University’s School of Design for the next two years and many other outputs beyond that I’m sure. Details of exactly when and how long I ‘m going to The Ice so watch this space for more detail.
I have set up a project page on the site where I will document progress.
With five stock images and a few hours in photoshop hopefully I have something that represents the dark beauty of Stravinsky’s “The Rite of Spring”
Stravinsky’s avant-garde 1913 ballet score sparked a riot in the theatre on its Paris premiere. This famously controversial work, full of savage force and fiery beauty is summed up in Stravinsky’s own description of his inspiration: “I had a fleeting vision that came to me as a complete surprise … I saw in imagination a solemn pagan rite: sage elders, seated in a circle, watching a young girl dance herself to death. They were sacrificing her to propitiate the god of spring”.
This is one image from the 2015 Season seres for which Insight has been made a finalist for in this years Best Awards.
As part of the Taranaki Wars exhibition at Puke Ariki in New Plymouth Insight Creative (where I was Design Director) were contracted to produce an interactive to document a recent archeological dig in the Taranaki district. It used computer generated models to show what structures were in place at the site. I designed a revolving touchscreen interactive kiosk which faced a large scale photograph of the location as it appears today. As it turns, the screen displays an ‘augmented view’ of the location showing what the hill looked like in the 1840s. The concept was expressed as a ‘window to the past.’
The screen constantly knows where it is facing. Users can also touch the screen to get more detailed information and once again turn the screen to spin the view around the sites. Through on-screen instructions, users could get more detailed information on different locations.
CGI by Raysan Kubaisi, programming by Insight Creative, kiosk construction by Cannibal.
It was one of my last jobs at Insight. The budget was pretty tight so I was forced to create this using a bunch of stock shots but I think it still does the sprit of the ANZACs justice.
I have seen it in a few dodgy crops etc in various media recently (outside the control of Insight/NZSO) so I thought this might be a nice opportunity to show it how it was originally conceived to be used.